We tend to understand processes of emergence as the specific significant reality that is produced by a sum of parts. In this we emulate a homo faber worldview of production, or even of production ex nihilo. According to this web of belief, parts are seen as preexistent to the whole, as the cogs of a machine (although even the parts of the machine come after its architecture) or as the ingredients that make a meal (but here again a recipe is followed).

In growing plants, animals, humans, the whole seems to be prior to the part, like a plan that allows for biological forms and patterns to be specific and reasonably stable. Darwin has shown that these forms evolve, certainly, but gradually, against a stronger tendency towards stability and lawful behaviour. Evolution seems better understood by scientists than stability and repetition of forms in ecosystems.

Crealectics is an attempt, at the moment balbutiating, at understanding the stability of universal forms that we call reality, rather than their change only. The Creal hypothesis presupposes, as in all process philosophies, that change and creation are fundamental and ontologically given. Multiplicity, profusion, metamorphosis, infinite probability are not “mysterious” if primordial. What is more mysterious is the real with its recurrent and regular forms.

Compared to a Creal defined as pure virtuality and infinite probability, the real is not an addition but always a subtraction. One does not produce reality by adding elements, otherwise we would, by a regressio ad absurdum, have to explain how something is created out of nothing (an idea that the pre-socratics found ridiculous). Ex tota materia emergat resolutio; by considering a prime mover that could be defined as infinite probability, infinite virtuality, or infinite multiplicity, we start to foresee that realia, real phenomenaare a partial manifestation, not a +1 but a -1.

Actualisation, from a creal point of view, is not an emergence, but a resorbence. And even the idea of resorption might not be indicated here because if you take an element (a reale) of an infinite virtual set (Creal), the set remains infinite.



Peirce, Virtuality, and Semiotic

Peter Skagestad

University of Massachusetts


ABSTRACT: The adjective ‘virtual,’ practically unheard-of a few years ago, has become a primary buzzword of the 90’s. Yet the word ‘virtual’ is nothing new, although its ubiquity is new, as is perhaps its current meaning or meanings. In 1902 the word was defined by Charles Peirce as follows: ‘A virtual X (where X is a common noun) is something, not an X, which has the deficiency (virtus) of an X.’ Peirce also references Scotus’s concept of virtual knowledge, the concept of virtual velocity in physics, and Edmund Burke’s doctrine of virtual representation, which is not representation but is supposedly as good as. The concept of virtuality is deeply embedded in Peirce’s doctrine of signs and hence in his semiotic doctrine of mind. In this Peircean doctrine, which has been more recently echoed in the writings of Wittgenstein and Popper, we find the most promising philosophical framework available for the understanding and advancement of the project of augmenting human intellect through the development and use of virtual technologies.

Read the paper here: 20th WCP: Peirce, Virtuality, and Semiotic

Esprit de corps was a fundamental notion in Bergson’s Les deux sources de la morale et de la religion,[1] where it appeared closely related to the idea that one’s social self was like a ‘moi supérieur devant lequel la personalité moyenne s’incline:’[2]

Si l’on admet […] une ‘mentalité primitive’, on y verra le respect de soi coïncider avec le sentiment d’une telle solidarité entre l’individu et le groupe que le groupe reste présent à l’individu isolé, le surveille, l’encourage ou le menace, exige enfin d’être consulté et obéi […]. La pression du moi social s’exerce avec toutes ces énergies accumulées. L’individu n’obéit d’ailleurs pas seulement par habitude de la discipline ou par crainte du châtiment : le groupe auquel il appartient se met nécessairement au-dessus des autres, […] et la conscience de cette supériorité de force lui assure […] toutes les jouissances de l’orgueil. […] Il suffit d’observer ce qui se passe sous nos yeux dans les petites sociétés qui se constituent au sein de la grande, quand des hommes se trouvent rapprochés les uns des autres par quelque marque distinctive qui souligne une supériorité réelle ou apparente, et qui les met à part. […] Tous les membres du groupe ‘se tiennent’ ; on voit naître un ‘sentiment de l’honneur’ qui ne fait qu’un avec l’esprit de corps.[3]

Bergson, at first glance, seemed to present a synthesis of the thoughts of authors like Durkheim, Tarde, Palante, or Terraillon: esprit de corps was a tribal process of collective self-glorification. But Bergson’s use of inverted commas was connected to the fact that for him this ‘feeling of honour’ was not true or natural, but rather a necessary fiction, a ‘fabulation’.[4]

Fabulation was for the author an intelligent capacity to manipulate symbols and fictional narratives in order to generate common beliefs. It functioned like a form of ‘virtual instinct’:

C’est de l’instinct virtuel, entendant par là qu’à l’extrémité d’une autre ligne d’évolution, dans les sociétés d’insectes, nous voyons l’instinct provoquer mécaniquement une conduite comparable, pour son utilité, à celle que suggèrent à l’homme, intelligent et libre, des images quasi hallucinatoires.[5]

In Latin, fabulari meant to speak and invent a story.[6] Bergson suggested that language, ideology and storytelling could help to create a mindset, a second nature, that simulated animal instinct to a certain extent. Esprit de corps was a form of collective hallucination, a contagious social fiction, a more or less permanent altered state of consciousness — this would justify the use of the term esprit as a form of spiritual possession. The paradox here was that freedom and rationality (‘intelligent et libre’) were associated with illusion and insect-like instinct. How could one be free and at the same time hallucinating? How could one be intelligent and model one’s conduct on a fable?

The answer, according to Bergson, lay in our plastic capacity to recreate new ideologies, to modify our narratives, to co-create our evolving virtual instinct, to which we then gave our near-blind consent, at least momentarily, for the sake of action and communion. Not unlike others before him, but more systematically, Bergson distinguished two interdependent and dialectical modes of human solidarity, one more conservative, the other more creative. The first one, based on obligation and social pressure, was comparable with the instinct of eusocial animals like ants and bees. It formed an effective human second nature via ‘habitude’, language, and social fictions.[7] In this case, the cohesion of the group was also maintained through its opposition to an outside territory, an outgroup. It was, when ripe, a circular force, hostile to the new:

Entre la société où nous vivons et l’humanité en général il y a […] le même contraste qu’entre le clos et l’ouvert. […] Qui ne voit que la cohésion sociale est due, en grande partie, à la nécessité pour une société de se défendre contre d’autres, et que c’est d’abord contre tous les autres hommes qu’on aime les hommes avec lesquels on vit ?[8]

In other words, esprit de caste was inevitable. But a more creative form of esprit de corps existed, if ephemerally; one that was about love and openness rather than antagonism.

Bergson thought that the mortar that joined the bricks of a closed society was ‘discipline’, which prepared for an ‘attitude’ of ‘guerre’ in front of an ‘ennemi’, a defensive mindset that subsisted even when covered by the ‘vernis’ of ‘devoirs moraux’.[9] There was a collective pressure on the members to remain united in a hermetic corps, and surrender part of their individuality to the duties of the in-group, for the sake of battles won. But because life was dual, both structured and structuring, both spiritual and natural, because it was a process of ‘creative evolution’,[10] human societies, according to Bergson, manifested a meta-historical flow of sentimental universalism, a slow and widening creation of fraternity that kept creating renewed and larger fabulations. This second tendency, representative of our cosmic freedom, could be incarnated by spiritual figures who were at the forefront of the ‘élan de vie.’[11]

[1] Henri Bergson, Les deux sources de la morale et de la religion (Paris: Presses Universitaires de France, 1990 [1932]).

[2] Ibid. p. 65.

[3] Bergson, Les deux sources, p. 66–7.

[4] Ibid., p. 111.

[5] Ibid., p. 114.

[6] ‘Fabuler’, Centre National de Ressources Textuelles et Lexicales, <www.cnrlt.fr> [Last accessed 15 March 2016].

[7] Bergson, Les deux sources, p. 23.

[8] Ibid., p. 27.

[9] Bergson, Les deux sources, p. 27.

[10] Bergson, L’évolution créatrice (Paris, Alcan, 1907).

[11] Bergson, Les deux sources, p. 56.

According to Tocqueville, any social group, even the lower classes, could feel the pride and dignity of belonging to an identified social cast. Modern democracies tended to prevent even the privileged classes from constituting a proper esprit: ‘Aujourd’hui, on voit encore des riches, mais ils ne forment plus un corps compact et héréditaire ; ils n’ont pu adopter un esprit, y persévérer et le faire pénétrer dans tous les rangs.’[1] A recent academic translation of the former passage has replaced ‘esprit’ by the expression ‘esprit de corps’: ‘Today, wealthy individuals still exist, but they have ceased to constitute a distinct and hereditary body capable of fostering and maintaining an esprit de corps, and instilling it in people of all ranks.’[2] The first English translation (1863) used the compound ‘class spirit’, [3]  adding ‘esprit de corps’ in parentheses in another passage where again Tocqueville only used the word ‘esprit’: ‘En toutes choses la majorité fait loi ; elle établit de certaines allures auxquelles ensuite chacun se conforme ; l’ensemble de ces habitudes communes s’appelle un esprit : il y a l’esprit du barreau, l’esprit de cour.’[4] In English:


The will of the majority is the most general of laws, and it establishes certain habits to which everyone must then conform; the aggregate of these common habits is what is called the class spirit (esprit de corps) of each profession; thus there is the class spirit of the bar, of the court, etc.[5]


For Tocqueville, esprit de corps was something of a pleonasm, hence the use of the sole word esprit. Democratic individualists can hardly form an esprit; etymologically speaking, they are ‘idiots’:


How do people remain their own masters? By maintaining the kind of community that secures their liberty. Freedom and community are not opposing forces any more than pluribus and unum. We are free so that we can create a community life so that, in turn, we can be free. Tocqueville’s singular contribution to our understanding of idiocy and citizenship is this notion that idiots are idiotic precisely because they are indifferent to the conditions and contexts of their own freedom. They fail to grasp the interdependence of liberty and community.[6]

[1] Tocqueville, De la démocratie en Amérique, vol. II, p. 331.

[2] Tocqueville, Democracy in America, trans. by Arthur Goldhammer (New York: Library of America, 2004), p. 403.

[3] Tocqueville, Democracy in America, trans. by Henri Reeve (Cambridge: Sever and Francis, 1863), vol. I, p. 237.

[4] Tocqueville, De la démocratie en Amérique, vol II., p. 23.

[5] Tocqueville, Democracy in America, trans. by Henri Reeve, p. 237

[6] Walter C. Parker, Teaching Democracy: Unity and Diversity in Public Life (New York, NY: Teachers College Press, 2003), p. 4.

Sharing an interesting paper by Cannizzaro and Cobley (2015)

Biosemiotics, politics and Th.A. Sebeok’s move from linguistics to semiotics. In: Biosemiotic Perspectives on Language and Linguistic. Biosemiotics . Springer, pp. 207-222.

Abstract This paper will focus on the political implications for the language sciences of Sebeok’s move from linguistics to a global semiotic perspective, a move that ultimately resulted in biosemiotics. The paper will seek to make more explicit the political bearing of a biosemiotic perspective in the language sciences and the human sciences in general. In particular, it will discuss the definition of language inherent in Sebeok’s project and the fundamental re-drawing of the grounds of linguistic debate heralded by Sebeok’s embrace of the concept of modelling. Thus far, the political co-ordinates of the biosemiotic project have not really been made explicit. This paper will therefore seek to outline
1. how biosemiotics enables us to reconfigure our understanding of the role of language in culture;
2. how exaptation is central to the evolution of language and communication, rather than adaptation;
3. how communication is the key issue in biosphere, rather than language, not just because communication includes language but because the language sciences often refer to language as if it were mere “chatter”, “tropes” and “figures of speech”;
4. how biosemiotics, despite its seeming “neutrality” arising from its transdisciplinarity, is thoroughly political;
5. how the failure to see the implications of the move from linguistics to semiotics arises from the fact that biosemiotics is devoid of old style politics, which is based on representation (devoid of experience) and “construction of [everything] in discourse” (which is grounded in linguistics, not communication study).
In contrast to the post-“linguistic turn” idea that the world is “constructed in discourse”, we will argue that biosemiotics entails a reconfiguration of the polis and, in particular, offers the chance to completely reconceptualise ideology.

The article can be accessed here.



Interesting article of intellectual history by Bernard Dionysius Geoghegan. On the relationship between linguistics, structuralism, and CIA funded cybernetics.

‘In this paper I examine the history of efforts to reform the human sciences through new media research, with a particular emphasis on the Rockefeller Foundation’s interwoven programs of support for communications research, digital media, and global science from 1930 to 1960. Through archival research and textual analysis I reconstruct how leading scholars and scientific administrators came to conceive of new media technologies as part of an impartial apparatus for transcending cultural, biological, and political difference. I recover the forgotten history of interdisciplinary and transnational programs that conjoined the research of Francophone structuralists to that of American engineers. The result is a new account of 20th century media change and research as inscribed within a project of “global technics” that substituted technological procedures for political decision making.’

Read the full paper here


The Creal hypothesis is ontological, even cosmological (in my book L’être et le néon), in the sense that it names the supranoumenon and identifies it with immanent infinite multiplicity in the fashion of process philosophies (Heraclitus, Bergson, Whitehead, Deleuze, etc.). But it is also a henology, since the One or unity is I believe implied by the immanent existence of the Creal. This is sort of presocratic (or neoplatonist?), although in the chapter I have written for the Dark Precursor volume I have chosen to look at the Creal from an axiomatic perspective instead of cosmological.

From the Creal point of view, all forms of life are not elaborated on the basis of scarce material, from the simple to the complex, but rather are a pruning of the original infinite richness of the creal becoming. Hypercomplexity is prime, but the attraction towards unity is coterminous. This immanent virtual cosmos of all possibles might sound somewhat Platonist, but it is rather based on the hypothesis of a dynamic infinite probability predating the real while not excluding it.

In semiotic terms, we could say that messages are uttered as a general thrust towards a form of unity against a background of infinite multiplicity. This is why I believe that communication, indeed present in all forms of life, is part of or even equivalent to the process of territorialisation, a production of sameness (the Umwelt or worldforming). Living beings produce sameness or unity because it is the very opposite of Creal, that’s the basic thing that can be enacted in the universe, a territory that is one and affirms the oneness, integrity, of its agent (or agents as this can be a collective process). 

This is why I am interested in what I called crealectics, which seems close to biosemiotics and perhaps to some elements of biolinguistics. Crealectics or the territorialisation of the Creal via a secretory biodiscourse of integrity, which I see as a secretion of sameness via a system of signifiers that, because they are meant to produce sameness (a same territory) and unity, are eventually a language or a system of signs. This can be also seen as a form of resistance against dissolution into the Creal (death as a return to pure multiplicity, a negation of integrity).

1. In order to form a territory, an Umwelt, you need, it seems, a homogeneous language. There needs to be a fluid sign circulation between different zones of the world you want to inhabit as a privileged species. Territorialising is translating the disparity of the Creal into one discourse, a text written in the same language. A metaphor perhaps would be to compare each new letter or symbol from the territorialising language with an omnivorous insect (all of the same species).

2. An excerpt of Woolf’s To the Lighthouse:

All had streamed away. . . . From her hand, ice cold, held deep in the sea, there spurted up a fountain of joy at the change, at the escape, at the adventure (that she should be alive, that she should be there). And the drops falling from this sudden and unthinking fountain of joy fell here and there on the dark, the slumberous shapes in her mind; shapes of a world not realized but turning in their darkness, catching here and there, a spark of light; Greece, Rome, Constantinople. Small as it was, and shaped something like a leaf stood on its end with the gold-sprinkled waters owing in and about it, it had, she supposed, a place in the universe—even that little island?

3. An extract from The Machinic Unconscious, Félix Guattari’s book:

The hypothesis of an abstract machinic phylum traversing language, representation, and the diverse actual and virtual levels of reality presents the incentive to corrode the linguistic edifice from the inside, to render it porous without destroying it as such. In particular, it should allow us to avoid two types of dangers: – a pure and simple falling back of linguistic machines onto social structures, like Marr’s linguistic dogmatism or certain new psycho-linguistic trends; – a structuralist or generativist formalization that separates the production of statements from collective assemblages of enunciation. In some way, it is necessary to admit that in order for discursive chains to be in touch with reality they must be disengaged from the constraints of language considered as a closed system. How do we escape from linguistic structures without losing their specificity as such?

4. How do 1, 2 and 3 start to form a same territory? Realisation of a world. Empire or island building. Machine versus animal or animal-machine. Collective versus individual territory. It is not that discursive chains need to be in touch with reality, it is about the equivalence of discursive secretions with reality.

5. This is the notion produced by the encounter of my paragraph with Woolf and Guattari: secretion. Reality as a secretion, an idea that I leave here suspended like a spider’s web until I come back to it, soon.